Baju Kebaya Modern Muslim Mengikuti Trend Kekinian Desain Kebaya Terbaru
The first form of Kebaya considered was originates in the court of the 15th century Javanese Majapahit Empire, as a means to blend the existing female Kemban, body wrap of the aristocratic women, to be more modest and acceptable. Throughout the last period of Majapahit kingdom, Islamic influence commenced to develop in coastal Javanese towns, thus there was a need to adapt the Javanese fashion to the newly followed Islam religion. The customized blouse, often produced from delicate sheer fabrics, were worn over kemban torso cover to cover the back, shoulders and arms, in order for court women to appear more humble. Aceh, Riau and Johor Kingdoms and Northern Sumatra adopted the Javanese style kebaya as a means of social expression of status with the more alus or refined Javanese overlords.The name of Kebaya as a particular clothing type was noted by the Portuguese when they landed in Philippines. Kebaya is associated with a type of blouse worn by Indonesian women in 15th or sixteenth century. Prior to 1600, kebaya on Java island were considered as a reserved clothing to be worn only by royal family, aristocrats (bangsawan) and minimal nobility, within an era when peasant men and many women walked publicly bare-chested.An elderly Sundanese woman wearing simple kebaya, kain batik and batik headcloth, Western Java.Later on, the kebaya also being followed by commoners, the peasant women in Java. Until this day in countryside agricultural villages of Java, farmer women still utilizes simple kebaya, especially among elderly women. The everyday kebaya worn by peasant were of simple materials and secured with simple pin or peniti (safety pin).Slowly it normally spread to neighbouring areas through trade, diplomacy and social interactions to Malacca, Bali, Sumatra, Borneo, Sulawesi and the Sultanate of Sulu and Mindanao.[4][5][6] Javanese kebaya as known today were noted by Restaurant stamford grand Raffles in 1817, as being of silk, brocade and velvet, with the main opening of the blouse fastened by brooches, rather than button and button-holes within the torso cover kemben, the kain — an unstitched wrap fabric several metres long, erroneously termed sarong in The english language (a sarung, Malaysian accent: sarong) which is sewed to form a tube.After hundreds of years of regional acculturation, the garments are becoming highly localized expressions of ethnic culture, artistry and tailoring customs.The earliest photographics proof of the kebaya as known today date from 1857 of Javanese, Peranakan and Orientalist stylesCostume componentsJavanese kebaya black silk secured with kerongsang brooch, and kain batik as skirtThe quintessential kebaya is the Javanese kebaya as known today is essentially unchanged as noted by Raffles in 1817. It involves the blouse (kebaya) of cotton, silk, lace, brocade or velvet, with the main opening of the shirt fastened by a key brooch (kerongsang) where the flaps of the shirt meet, wore over kain.Kebaya blouseThe shirt is commonly semi-transparent and traditionally worn over the torso wrap or kemben. Kebaya blouse can be tailored tight-fitting or loose-fitting, made from various materials, from cotton or velvet, to fine silk, exquisite lace and brocade, desorated with stitching or glittering sequins. Today, the undergarment use under kebaya usually either corset, bra or camisole with matching colour. The more guaranteed modest undergarment wore by common town women, usually elderly women, is called kutang, which is a bra-like undergarment created from cotton.Kerongsang broochTraditional kebaya had no buttons down the front. To secure the blouse openings in the front, a decorative metal brooch is applied on the upper body. It can be made from brass, iron, silver or gold, decorated with semi-precious stones. A typical three-piece kerongsang is composed of a kerongsang ibu (mother piece) that is larger and heavier than the other two kerongsang anak (child piece). Kerongsang brooch often produced from gold jewellery and regarded as the indication of social status of aristocracy, wealth and nobility, however for commoners and peasant women, guaranteed plain kebaya often only fastened with modest safety pin number (peniti).Kain sarong or skirtKain is a long decorated clothes wrapped around the hips, secured with rope and wore as a kind of sarong or skirt. The skirt or kain is an unstitched fabric wrap around three metres long. The phrase sarong in British is erroneous, the sarung (Malaysian accent: sarong) is actually stitched together to form a tube, kain is unstitched, requires a helper to dress (literally wrap) the wearer and is held in place with a string (tali), then folded this string at the waist, then kept with a belt (sabuk or ikat pinggang), which may hold a ornamental pocket. In Java, Bali and Sunda, the kain is commonly batik which may be from plain stamped cotton to elaborately hand-painted batik tulis embroidered silk with gold twine. In Lampung, the kain is the traditional tapis, an elaborate gold-thread embroidered ikat with small mica discs.[9] Sumatra, Flores, Lemata Timor, and other islands commonly use kain of ikat or songket. Sumba is famous for kain decorated with lau hada: shells and beads.
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Baju Kebaya Modern Muslim Mengikuti Trend Kekinian Desain Kebaya Terbaru
source image kebaya muslim modern from desain-kebaya.blogspot.com
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The first form of Kebaya considered was originates in the court of the 15th century Javanese Majapahit Empire, as a means to blend the existing female Kemban, body wrap of the aristocratic women, to be more modest and acceptable. Throughout the last period of Majapahit kingdom, Islamic influence commenced to develop in coastal Javanese towns, thus there was a need to adapt the Javanese fashion to the newly followed Islam religion. The customized blouse, often produced from delicate sheer fabrics, were worn over kemban torso cover to cover the back, shoulders and arms, in order for court women to appear more humble. Aceh, Riau and Johor Kingdoms and Northern Sumatra adopted the Javanese style kebaya as a means of social expression of status with the more alus or refined Javanese overlords.The name of Kebaya as a particular clothing type was noted by the Portuguese when they landed in Philippines. Kebaya is associated with a type of blouse worn by Indonesian women in 15th or sixteenth century. Prior to 1600, kebaya on Java island were considered as a reserved clothing to be worn only by royal family, aristocrats (bangsawan) and minimal nobility, within an era when peasant men and many women walked publicly bare-chested.An elderly Sundanese woman wearing simple kebaya, kain batik and batik headcloth, Western Java.Later on, the kebaya also being followed by commoners, the peasant women in Java. Until this day in countryside agricultural villages of Java, farmer women still utilizes simple kebaya, especially among elderly women. The everyday kebaya worn by peasant were of simple materials and secured with simple pin or peniti (safety pin).Slowly it normally spread to neighbouring areas through trade, diplomacy and social interactions to Malacca, Bali, Sumatra, Borneo, Sulawesi and the Sultanate of Sulu and Mindanao.[4][5][6] Javanese kebaya as known today were noted by Restaurant stamford grand Raffles in 1817, as being of silk, brocade and velvet, with the main opening of the blouse fastened by brooches, rather than button and button-holes within the torso cover kemben, the kain — an unstitched wrap fabric several metres long, erroneously termed sarong in The english language (a sarung, Malaysian accent: sarong) which is sewed to form a tube.After hundreds of years of regional acculturation, the garments are becoming highly localized expressions of ethnic culture, artistry and tailoring customs.The earliest photographics proof of the kebaya as known today date from 1857 of Javanese, Peranakan and Orientalist stylesCostume componentsJavanese kebaya black silk secured with kerongsang brooch, and kain batik as skirtThe quintessential kebaya is the Javanese kebaya as known today is essentially unchanged as noted by Raffles in 1817. It involves the blouse (kebaya) of cotton, silk, lace, brocade or velvet, with the main opening of the shirt fastened by a key brooch (kerongsang) where the flaps of the shirt meet, wore over kain.Kebaya blouseThe shirt is commonly semi-transparent and traditionally worn over the torso wrap or kemben. Kebaya blouse can be tailored tight-fitting or loose-fitting, made from various materials, from cotton or velvet, to fine silk, exquisite lace and brocade, desorated with stitching or glittering sequins. Today, the undergarment use under kebaya usually either corset, bra or camisole with matching colour. The more guaranteed modest undergarment wore by common town women, usually elderly women, is called kutang, which is a bra-like undergarment created from cotton.Kerongsang broochTraditional kebaya had no buttons down the front. To secure the blouse openings in the front, a decorative metal brooch is applied on the upper body. It can be made from brass, iron, silver or gold, decorated with semi-precious stones. A typical three-piece kerongsang is composed of a kerongsang ibu (mother piece) that is larger and heavier than the other two kerongsang anak (child piece). Kerongsang brooch often produced from gold jewellery and regarded as the indication of social status of aristocracy, wealth and nobility, however for commoners and peasant women, guaranteed plain kebaya often only fastened with modest safety pin number (peniti).Kain sarong or skirtKain is a long decorated clothes wrapped around the hips, secured with rope and wore as a kind of sarong or skirt. The skirt or kain is an unstitched fabric wrap around three metres long. The phrase sarong in British is erroneous, the sarung (Malaysian accent: sarong) is actually stitched together to form a tube, kain is unstitched, requires a helper to dress (literally wrap) the wearer and is held in place with a string (tali), then folded this string at the waist, then kept with a belt (sabuk or ikat pinggang), which may hold a ornamental pocket. In Java, Bali and Sunda, the kain is commonly batik which may be from plain stamped cotton to elaborately hand-painted batik tulis embroidered silk with gold twine. In Lampung, the kain is the traditional tapis, an elaborate gold-thread embroidered ikat with small mica discs.[9] Sumatra, Flores, Lemata Timor, and other islands commonly use kain of ikat or songket. Sumba is famous for kain decorated with lau hada: shells and beads.
