18 Model Kebaya Wisuda Untuk Orang Gemuk Yang Stylish Dan Modern
The earliest form of Kebaya considered was originates in the court of the fifteenth century Javanese Majapahit Kingdom, as a way to blend the existing female Kemban, body wrap of the noble women, to be more modest and acceptable. Throughout the last period of Majapahit kingdom, Islamic influence started out to develop in seaside Javanese towns, thus there was a need to adapt the Javanese fashion to the newly followed Islam religion. The tailored blouse, often produced from delicate sheer fabrics, were worn over kemban torso cover to cover the back again, shoulders and arms, in order for court females to appear more modest. Aceh, Riau and Johor Kingdoms and Northern Sumatra adopted the Javanese style kebaya as a means of social expression of status with the more alus or refined Javanese overlords.The name of Kebaya as a particular clothing type was mentioned by the Portuguese when they landed in Indonesia. Kebaya is associated with a type of shirt worn by Indonesian women in 15th or 16th century. Prior to 1600, kebaya on Java island were considered as a appropriated clothing to be worn only by royal family, aristocrats (bangsawan) and minimal nobility, within an era when peasant men and many women walked publicly bare-chested.A good elderly Sundanese woman putting on simple kebaya, kain batik and batik headcloth, Western Java.Later on, the kebaya also being followed by commoners, the peasant women in Java. Until this day in rural agricultural villages of Coffee, farmer women still uses simple kebaya, especially among elderly women. The everyday kebaya worn by peasant were of simple materials and secured with simple pin or peniti (safety pin).Slowly it naturally spread to neighbouring areas through trade, diplomacy and social interactions to Malacca, Bali, Sumatra, Borneo, Sulawesi and the Sultanate of Sulu and Mindanao.[4][5][6] Javanese kebaya as known today were noted by Restaurant stamford grand Raffles in 1817, as being of silk, brocade and velvet, with the central opening of the blouse fastened by brooches, rather than button and button-holes on the torso wrap kemben, the kain — an unstitched wrap material several metres long, wrongly termed sarong in English (a sarung, Malaysian accent: sarong) which is sewed to form a tube.After hundreds of years of regional acculturation, the garments are becoming highly localised expressions of ethnic culture, artistry and tailoring traditions.The earliest photographics evidence of the kebaya as known today date from 1857 of Javanese, Peranakan and Orientalist stylesOutfit componentsJavanese kebaya black silk secured with kerongsang brooch, and kain batik as skirtThe essential kebaya is the Javanese kebaya as known today is essentially unchanged as noted by Raffles in 1817. It involves the blouse (kebaya) of 100 % cotton, silk, lace, brocade or velvet, with the key opening of the blouse fastened by a core brooch (kerongsang) where the flaps of the blouse meet, wore over kain.Kebaya blouseThe blouse is commonly semi-transparent and traditionally worn over the torso wrap or kemben. Kebaya blouse can be tailored tight-fitting or loose-fitting, made from various materials, from cotton or velvet, to fine silk, exquisite lace and brocade, desorated with stitching or glittering sequins. Today, the undergarment use under kebaya usually either corset, bra or camisole with matching colour. The more guaranteed modest undergarment wore by common village women, usually elderly women, is called kutang, which is a bra-like undergarment made from cotton.Kerongsang broochTraditional kebaya had no buttons down the front. To secure the shirt openings in the front, a decorative metal brooch is applied on the chest. It can be made from brass, iron, silver or gold, decorated with semi-precious stones. A typical three-piece kerongsang is composed of a kerongsang ibu (mother piece) that is bigger and heavier than the other two kerongsang anak (child piece). Kerongsang brooch often made from gold jewellery and regarded as the sign of social status of aristocracy, wealth and the aristocracy, however for commoners and peasant women, guaranteed simple kebaya often only fastened with modest safety pin number (peniti).Kain sarong or skirtKain is a long decorated clothes wrapped around the hips, secured with rope and put on as a kind of sarong or skirt. The skirt or kain is an unstitched fabric wrap around three metres long. The word sarong in English is erroneous, the sarung (Malaysian accent: sarong) is actually stitched together to form a tube, kain is unstitched, requires a helper to dress (literally wrap) the wearer and is held in position with a string (tali), then folded this string at the waist, then kept with a belt (sabuk or ikat pinggang), which may hold a ornamental pocket. In Java, Bali and Sunda, the kain is commonly batik which may be from basic stamped cotton to elaborately hand-painted batik tulis embroidered silk with gold thread. In Lampung, the kain is the traditional tapis, an elaborate gold-thread embroidered ikat with small mica discs.[9] Sumatra, Flores, Lemata Timor, and other islands commonly use kain of ikat or songket. Sumba is famous for kain decorated with lau hada: shells and beads.
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The earliest form of Kebaya considered was originates in the court of the fifteenth century Javanese Majapahit Kingdom, as a way to blend the existing female Kemban, body wrap of the noble women, to be more modest and acceptable. Throughout the last period of Majapahit kingdom, Islamic influence started out to develop in seaside Javanese towns, thus there was a need to adapt the Javanese fashion to the newly followed Islam religion. The tailored blouse, often produced from delicate sheer fabrics, were worn over kemban torso cover to cover the back again, shoulders and arms, in order for court females to appear more modest. Aceh, Riau and Johor Kingdoms and Northern Sumatra adopted the Javanese style kebaya as a means of social expression of status with the more alus or refined Javanese overlords.The name of Kebaya as a particular clothing type was mentioned by the Portuguese when they landed in Indonesia. Kebaya is associated with a type of shirt worn by Indonesian women in 15th or 16th century. Prior to 1600, kebaya on Java island were considered as a appropriated clothing to be worn only by royal family, aristocrats (bangsawan) and minimal nobility, within an era when peasant men and many women walked publicly bare-chested.A good elderly Sundanese woman putting on simple kebaya, kain batik and batik headcloth, Western Java.Later on, the kebaya also being followed by commoners, the peasant women in Java. Until this day in rural agricultural villages of Coffee, farmer women still uses simple kebaya, especially among elderly women. The everyday kebaya worn by peasant were of simple materials and secured with simple pin or peniti (safety pin).Slowly it naturally spread to neighbouring areas through trade, diplomacy and social interactions to Malacca, Bali, Sumatra, Borneo, Sulawesi and the Sultanate of Sulu and Mindanao.[4][5][6] Javanese kebaya as known today were noted by Restaurant stamford grand Raffles in 1817, as being of silk, brocade and velvet, with the central opening of the blouse fastened by brooches, rather than button and button-holes on the torso wrap kemben, the kain — an unstitched wrap material several metres long, wrongly termed sarong in English (a sarung, Malaysian accent: sarong) which is sewed to form a tube.After hundreds of years of regional acculturation, the garments are becoming highly localised expressions of ethnic culture, artistry and tailoring traditions.The earliest photographics evidence of the kebaya as known today date from 1857 of Javanese, Peranakan and Orientalist stylesOutfit componentsJavanese kebaya black silk secured with kerongsang brooch, and kain batik as skirtThe essential kebaya is the Javanese kebaya as known today is essentially unchanged as noted by Raffles in 1817. It involves the blouse (kebaya) of 100 % cotton, silk, lace, brocade or velvet, with the key opening of the blouse fastened by a core brooch (kerongsang) where the flaps of the blouse meet, wore over kain.Kebaya blouseThe blouse is commonly semi-transparent and traditionally worn over the torso wrap or kemben. Kebaya blouse can be tailored tight-fitting or loose-fitting, made from various materials, from cotton or velvet, to fine silk, exquisite lace and brocade, desorated with stitching or glittering sequins. Today, the undergarment use under kebaya usually either corset, bra or camisole with matching colour. The more guaranteed modest undergarment wore by common village women, usually elderly women, is called kutang, which is a bra-like undergarment made from cotton.Kerongsang broochTraditional kebaya had no buttons down the front. To secure the shirt openings in the front, a decorative metal brooch is applied on the chest. It can be made from brass, iron, silver or gold, decorated with semi-precious stones. A typical three-piece kerongsang is composed of a kerongsang ibu (mother piece) that is bigger and heavier than the other two kerongsang anak (child piece). Kerongsang brooch often made from gold jewellery and regarded as the sign of social status of aristocracy, wealth and the aristocracy, however for commoners and peasant women, guaranteed simple kebaya often only fastened with modest safety pin number (peniti).Kain sarong or skirtKain is a long decorated clothes wrapped around the hips, secured with rope and put on as a kind of sarong or skirt. The skirt or kain is an unstitched fabric wrap around three metres long. The word sarong in English is erroneous, the sarung (Malaysian accent: sarong) is actually stitched together to form a tube, kain is unstitched, requires a helper to dress (literally wrap) the wearer and is held in position with a string (tali), then folded this string at the waist, then kept with a belt (sabuk or ikat pinggang), which may hold a ornamental pocket. In Java, Bali and Sunda, the kain is commonly batik which may be from basic stamped cotton to elaborately hand-painted batik tulis embroidered silk with gold thread. In Lampung, the kain is the traditional tapis, an elaborate gold-thread embroidered ikat with small mica discs.[9] Sumatra, Flores, Lemata Timor, and other islands commonly use kain of ikat or songket. Sumba is famous for kain decorated with lau hada: shells and beads.
